First, Habermas would discuss whether Ghosts of Rwanda was a part of the public sphere, and I think he would agree that it is. According to his article, he writes that the public sphere is "... a realm of our social life in which something approaching public opinion can be formed" (49). The documentary aired on PBS, which reaches millions of Americans every day. While not every home owns a television, a vast majority do. PBS also functions based on public donations - it exists from philanthropy alone. Thus, the public has a very active role in making PBS what it is, as it is not a private corporation seeking large profit.PBS also represents a public body. As Habermas writes, "citizens behave as a public body when they confer in an unrestricted fashion - that is, with the guarantee of freedom of assembly and association and the freedom to express and publish their opinions" (49). PBS chose knowledgeable people to discuss the events of the Rwandan genocide; ones who are not afraid to ask difficult questions and give thought-provoking answers - in particular, Carl Wilkens, the "last American in Rwanda," who frequently asks why the United States didn't come to Rwanda's aid.
Habermas later notes that "the public sphere [i]s a sphere which mediates between society and state" (50). PBS does this by frequently criticizing and inquiring the USA's foreign policy during the genocide. Both average American citizens and American politicians are given equal screen time in the documentary, each giving their opinion, which allows viewers a balanced perspective.
In the end, PBS - or, more specifically, the Frontline staff - acts as an arbiter between the different voices of Americans in Rwanda during the genocide of 1994, allowing the public to take in the information and create their own opinions.
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